Directed by Hans Richter; cinematography by Arnold Eagle; narrated by Edgar Lang; music by John Gruen, Robert Abramson, Hans Richter, Douglas Townsend; lyrics by John Latouche; sound direction by H. Calder finds a job as a timekeeper for a logging camp in Independence, Washington. (Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.
(Calder 1966, 53–55; CF, Patterson to ASCR, 26 April 2010) Mid-June: Arriving in San Francisco, Calder takes a lumber schooner to Willapa Harbor, Washington, where he catches the bus for Aberdeen and meets his sister Peggy and her husband, Kenneth Hayes.
The challenge is to move the animals from their pens without having two animals in the same pen at once. Stirling rents a studio in New York City on 51 West Tenth Street.
Corder; produced and written by David Idema; cinematography by Werner Schneider; narrated by Tom Saizan; edited by Bill Prins. (Sweeney 1943, 57; Hayes 1977, 41) Before 11 January: For his father's birthday, Calder makes , a game consisting of five painted animals—a tiger, a lion, and three bears—and a wooden board with nails divided into six pens.
Part of the series "Festival du court-métrage." Société Nouvelle Pathé-Cinema, Paris. Calder has a cellar for his workshop and attends Croton Public School.
(Calder 1966, 28; CF, Calder 1955–56, 7) Winter: The Calders move to Croton-on-Hudson, New York.
Paper costumes for A Nightmare Side Show, one of thirteen group processions performed during Paper Ball: Le Cirque des Chiffonniers, First Hartford Festival, Wadsworth Atheneum, Hartford, Connecticut, 15 February 1936 Standing, left to right: André Masson, Kay Sage, and Calder; sitting, left to right: André Breton, Susanna Perkins Hare, Louisa Calder, Rose Masson, Diego Masson, Charlie Prescott, Mary Calder, and Teeny Matisse, Roxbury, 1941 Alexander Calder Scrapbook, 1924–26. (Calder 1966, 66, 70; Hayes 1977, 81) September–November: Calder studies life drawing with Boardman Robinson at the Art Students League.
The unbound book includes seven folios and eight loose clippings, two newspapers, and one poster: black-and-white and color; 16 1/8" x 12 1/4". (ASL, registration records) 24 January: A total eclipse of the sun is visible from the northern part of Manhattan.
Calder's workshop consists of a tent with a wooden floor. (CF, Nanette to Trask, 30 March; Calder 1966, 26–27) Fall: The Calders return to Philadelphia. 16mm, color, sound (English); two versions: 28 min. Directed by Carlos Vilardebo in collaboration with André Bac, Marcel Beau, Jacques Decerf and Anne-Marie Cotret; narrated by Alexander Calder; music provided by Louisa Calder from various recordings. Produced, directed and written by Jean-Marie Drot; narrated by Jean-Marie Drot and Ed Wegman (NET). (Calder 1966, 49–50) Spring: Calder attends night classes in drawing with Clinton Balmer at the New York Public School on Forty-second Street. Radiodiffusion Télévision Française-National Éducational Télévision, Paris. (Calder 1966, 48–49) Fall: Calder joins the staff of magazine in St. The efficiency engineers—Miller, Franklin, Basset, and Co.—hire Calder to do fieldwork for the Truscon Steel Company in Youngstown, Ohio. (ASL, registration records) Before 3 May: Calder begins his first job as an artist, illustrating sporting events and city scenes for the , 3 May) Before 17 May: Calder moves into his father's studio, 11 East Fourteenth Street, while his parents are traveling in Europe. Alice Prin, the Best Known Artist's Model in Europe." 23 Gravures de Arp, Calder, Chirico, Erni, Ernst, Fernandez, Giacometti, Ghika, Gonzalez, Hélion, Kandinsky, Léger, Lipchitz, Magnelli, Miró, Nicholson, Ozenfant, Picasso, Seligmann, Taeuber-Arp, Torres-Garcia, Vulliamy, Zadkine (1944). (Calder 1966, 59–61, 66–67; ASL, registration records) January–April: Calder enrolls again at the Art Students League, taking classes in portrait painting with George Luks, head and figure with Guy Pène du Bois, a drawing class with Boardman Robinson, and an etching class.